Aaron Sevilla, P.Rivas and Oliver Gil bring together tradition, flamenco and contemporary electronic music in a ten-track album that transforms deeply rooted pieces of Spanish musical heritage into a new sonic experience.

Some melodies need no introduction. They are part of a collective memory, surviving through generations because they carry more than music: memories, places, emotions and identity.

Now, those melodies are entering new territory.

Flamenco Futuro, is the new album from Aaron Sevilla, P.Rivas and Oliver Gil — a project built around a simple yet powerful question:

What happens when Spain’s musical roots enter the club?

The answer is a ten-track album connecting the emotional DNA of flamenco with the energy of contemporary electronic music, particularly the rhythmic language of Afro House.

This is not about turning flamenco into electronic music.

Nor is it about disguising electronic music as flamenco.

It is about allowing both worlds to speak to each other.

FROM MEMORY TO THE DANCEFLOOR

Flamenco Futuro is built around one central idea: a root does not lose its identity when the landscape around it changes.

Flamenco has always evolved. It has absorbed influences, moved across different stages and reached new generations. With this project, that evolution continues through deep basslines, electronic percussion, synthesizers and grooves designed for a global audience.

The result is a body of work that can be experienced through headphones, enjoyed during a sunset or become the soundtrack to a packed dancefloor.

Because the goal is not to separate tradition from modernity, but to demonstrate that both can coexist within the same musical language.

TEN TRACKS. ONE IDENTITY.

The album features ten reinterpretations:

A Dos Amigos · Que Cara Más Bonita · Una Gitana del Rastro · La Saeta · Estilo Gitano · Ilusiones · Esta Cobardía · Así Me Gusta a Mí · Mi Musa · El Triste

The repertoire moves through a wide emotional spectrum — love, heartbreak, nostalgia, celebration, sadness and strength — while preserving the recognisable melodies that form its foundation and giving them an entirely new electronic dimension.

Each track presents the same creative challenge:

How do you transform a piece that belongs to collective memory without destroying what made it special in the first place?

That is where one of the album’s defining qualities emerges.

Flamenco Futuro does not attempt to erase the past.

It uses the past as a starting point for moving forward.

AARON SEVILLA: THE MEETING POINT

The artistic vision of Aaron Sevilla runs through the entire project.

Internationally recognised for his connection to Afro House and for an artistic identity that incorporates Latin rhythms, Spanish folklore and flamenco, Sevilla has made the relationship between cultural roots and electronic music a fundamental part of his sound.

His Afrodise project has further established this philosophy, creating a space where Afro House, organic sounds and Spanish cultural influences can coexist.

Throughout 2026, that identity continues to expand internationally through performances and projects connected to major stages and festivals. His appearance at Holika Festival, for example, formed part of the Afrodise concept, further reinforcing the connection between Afro House, organic sounds and Spanish culture.

Flamenco Futuro represents a natural evolution of that journey.

“I want to take my roots somewhere new without losing their essence.”

That sentence captures the spirit of an album created from identity rather than nostalgia.

P.RIVAS & OLIVER GIL: BUILDING THE SONIC LANGUAGE

Alongside Aaron Sevilla, P.Rivas and Oliver Gil play a fundamental role in shaping the album’s sonic universe.

Their production work allows the ten tracks to function as a cohesive artistic statement rather than simply a collection of independent reinterpretations.

Production becomes the space where transformation takes place: where traditional melodies encounter new structures, where guitars and vocals coexist with bass-driven electronic production, and where rhythm becomes a physical experience.

The ultimate objective is simple:

for the listener to stop asking where flamenco ends and electronic music begins.

Just listen.

And, after a few seconds, start moving.

“LA SAETA”: RESPECT, MEMORY & RISK

One of the album’s most significant moments comes with “La Saeta”, a track lasting more than six minutes and featuring Peppe Citarella, alongside Aaron Sevilla, Oliver Gil and P.Rivas. The collaboration is also reflected in the official release credits.

Reinterpreting a piece so deeply connected to Spanish culture inevitably involves taking a risk.

When a song forms part of collective memory, audiences do not hear only a melody.

They hear memories.

Images.

Family.

History.

That is why Flamenco Futuro begins with respect.

The transformation is not intended to replace that memory, but to carry it into a new context.

A PROJECT WITH A GLOBAL VISION

The international ambition of Flamenco Futuro does not come from trying to make flamenco sound “international”.

It comes from doing the opposite:

trusting that emotion is already universal.

Someone may not know the historical context behind a flamenco song and still feel its melody.

They may not understand every reference and yet respond instinctively to its rhythm.

Music does not always need translation.

Here, Afro House provides a global musical language capable of carrying these Spanish roots towards new audiences, clubs, festivals and territories.

The album further expands its sonic journey through collaborations with Les Castizos on “Ilusiones” and Alex Duvall on “Mi Musa”, alongside Peppe Citarella on “La Saeta”.

These collaborations enrich the project without moving its creative centre away from its core:

Aaron Sevilla, P.Rivas and Oliver Gil.

THIS IS NOT A FUSION. IT IS AN EVOLUTION.

The word “fusion” has been used so often that it can sometimes lose its meaning.

Flamenco Futuro approaches the concept from a different perspective.

It is not simply about bringing two genres together.

It is about preserving, experimenting and transforming.

About allowing a cultural identity to travel towards a new generation.

About demonstrating that tradition and evolution are not opposing forces.

And about understanding that roots are not chains.

They are coordinates.

They tell us where we come from, but not necessarily how far we can go.

THE FUTURE HAS A MEMORY

With Flamenco Futuro, Aaron Sevilla, P.Rivas and Oliver Gil deliver much more than an album of reinterpretations.

They deliver an artistic statement.

A commitment to memory.

To transformation.

To club culture.

To festivals.

And to a generation that can discover these songs from an entirely different perspective.

Officially released on 28 August 2026 through Afrodise, the project establishes a powerful connection between Spanish musical identity and one of the most globally influential languages in contemporary electronic music.

Because perhaps the future of a tradition does not depend on protecting it from change.

Perhaps it depends on giving it new reasons to stay alive.

And if new generations eventually discover these songs on a dancefloor, beneath thousands of watts of sound and with their hands raised towards the sky, then we are not witnessing the end of a tradition.

We are hearing its next chapter.