Shrouded in mystique and driven by a deep-rooted musical spirit, Aiwaska is a producer whose hypnotic, melodic house sound has captivated dancefloors and festivals around the world. With over two decades of experience and releases on esteemed labels like Crosstown Rebels, Get Physical, and Bar 25, his music blends atmospheric basslines, organic textures, and spiritual undertones, 
often channelled through masked performances inspired by Peruvian shamanic rituals. From Grammy-voting recognition to Times Square billboards, and collaborations with icons like Roland Clark and Robert Owens, Aiwaska is far more than just a producer, he’s a storyteller, activist, and sonic visionary. We caught up with him to talk about his journey, creative philosophy, and the world of Aiwaska Planet.
How would you describe your sound to someone discovering you for the first time?
My music is a fusion of organic textures, live instruments, ethnic elements, classic analog
house, and deep healing frequencies like 432 Hz and binaural beats. These aren’t just
tracks—they’re portals into altered states of consciousness. Each piece is an emotional and
energetic journey into a space of love, harmony, and inner awakening.
Where do you usually draw inspiration from when creating music?
Life itself is the ultimate inspiration—travel, nature, the stillness of meditation, uplifting emotions,
global cultures, classical music, experimental art projects, and of course, cosmic energy.
Anything that resonates with the soul can become a spark for creativity.
You’ve released music across several respected labels – how do you decide where a
track belongs?
I never create music “for a label.” First comes the idea, then its realization, and only after
that—the path to release. I test my tracks on dancefloors, feel the energy in the room, and if I
sense a real connection, I start looking for the right home for it. I have warm relationships with
some labels and aspirations to work with others. Sometimes it takes six months from finishing a
track to releasing it—it’s about finding the space where the music can fully unfold.
What were the key influences behind your new album, Flora Fauna?
Flora Fauna was born from deep sonic exploration. I worked with ethnic instruments,
experimented with rhythmic structures, and blended seemingly incompatible elements.
Collaborating with various artists pushed me toward a new sound. The goal was to create tracks
that work both on a physical level (for the dancefloor) and on a subtler, spiritual level. Flora
Fauna is a musical manifesto about our connection with nature.
How do you feel about the rise of new digital platforms like Web3, NFTs, AI or
immersive audio in music?
I’m not just observing this evolution—I’m part of it. I take part in metaverse festivals, create
NFTs, collaborate with digital artists, use AI in my visual shows, and even developed a digital
version of Aiwaska that we plan to integrate into a video game. These technologies, when used
intentionally, amplify the artistic message and unlock new dimensions of connection with the
audience.
Was there a defining moment in your career that shifted things creatively or
professionally?
My journey began in 1996, and nearly 30 years later, it’s been a constant evolution. I don’t see it
as a series of turning points, but rather as a flow—from one state to another. Each phase has
transformed me and brought me closer to understanding my purpose and what I want to share
through music.
Are there any artists or music scenes outside of electronic music that inspire your
work?
Absolutely. I’m a music lover with a wide palette of influences. From Wagner’s classical
grandeur to the progressive rock of Tool, from avant-garde legends like Aphex Twin to the
emotional piano-driven soundscapes of David August. I’m always searching for sounds that
move the soul, regardless of genre.
How do you approach translating your sound into a live or DJ setting?
In DJ sets, I use four decks and samplers to create a rich, layered sound. Right now, I’m
developing a new live performance—an audiovisual show that blends live instruments, video art,
and technology. The premiere is set for this year.
Visual identity plays a big part in Aiwaska. How do you see the relationship between
music and visual branding?
Aiwaska is a holistic character—with a distinct aesthetic, philosophy, and visual mythology. The
mask, imagery, and videos are extensions of the sound. It’s something sacred, helping the
music speak to people not just through their ears, but also through their eyes, emotions, and
intuition.
What role do you think electronic music can play in raising social or spiritual
awareness?
Music is the highest form of vibrational alchemy. Everything began with sound. When music is
created with love, intention, and authenticity, it becomes a tool for awakening. It can shift
perception, inspire creativity, heal, and elevate. That’s the magic of music—its mission.
What’s one of your own tracks that you feel is underrated or deeply personal?
I don’t measure music by streams or charts. If even one person felt something from a
track—received light or a shift in awareness—it’s already fulfilled its purpose. Every piece I
release is a message of love and energy. They all matter.
Are there any tools, synths, or plug-ins that you currently swear by in the studio?
The Roland TB-303 is a timeless tool—it cuts straight to the heart with its acid warmth. I also
rely heavily on analog synths, field recordings, and rare ethnic instruments.
How do you stay grounded and maintain well-being while navigating a busy music
career?
It’s a constant practice. With all the flights, gigs, and industry pressure, it’s easy to lose your
center. I live a clean lifestyle—no alcohol, no smoking, no substances. I practice Wing Chun
kung fu, meditate, and take care of my body. My family, nature, and animals are my grounding
forces and sources of inspiration.
Can you share anything exciting that’s on the horizon for Aiwaska this year?
This year I’ll premiere my new audiovisual show. We’re also preparing an art installation focused
on nature and endangered species, which will be showcased in contemporary art exhibitions.
I’m working with artists from China and Japan to create art pieces that raise awareness about
extinction. We’re expanding the Aiwaska Planet niche fragrance line, and of course, I’m
constantly working on new music—both solo and in collaborations with artists around the globe.
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